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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Do pollinating bees have a market value? Can we put a price on the Amazon Rainforest? These are not hypothetical questions, as Denis Delestrac and Sandrine Feydal’s clear-eyed and rigorously researched investigation shows. Under the guise of protecting nature, banks and multinationals—with the blessing of the UN, Europe and many NGOs—are mounting new financial markets that exploit "environmental protection" as a moneymaking enterprise. This occasionally chilling documentary makes explicit just how the financial world does indeed see nature as the new Eldorado…
Catherine Deneuve, as a concerned judge dealing with delinquent youth, and newcomer Rod Paradot as Malony, the teen offender she counsels, are the twin poles in Emmanuelle Bercot’s sobering drama that traces ten turbulent years in Malony’s life. As Malony is shuffled from agency to agency, "Bercot studiously avoids the sort of catharsis-oriented pop psychology the genre so often peddles… [while] taking a page from the Dardenne brothers’ brand of social realism…"—Variety
In Simon Rouby’s evocative animated feature, a 12-year-old West African boy tracks his older brother’s journey from village to port, to troop carrier and on to the war-torn fields of France, 1914. Despite the chaos, he clings to the hope that his brother can be returned home safely. Reminiscent of War Horse in its knack for conjuring fresh perspectives on well-trodden ground, this gorgeous fable will appeal to teens and pre-teens, as well as their parents and grandparents.
Jacques Audiard’s (A Prophet, Rust and Bone) latest dramatic inquiry into life on society’s margins is an alternately gripping and tender love story about the eponymous former Tamil fighter (Antonythasan Jesuthasan) and his improvised family, who exchange war in Sri Lanka for violence of another kind in Paris. "A searing yet hopeful slow-burn drama… Audiard delivers another distinctive [work] with this portrait of a family forged out of necessity…"—Hollywood Reporter
The zero-sum game that is the "law of the market" (the French title)—wherein if one wants a job another must be let go—lies at the heart of Stéphane Brizé’s profoundly humanist drama. Vincent Lindon is superb as an unemployed mechanic whose new job in security at a big-box supermarket forces him to make decisions that go against everything he believes in… "A powerfully affecting social drama… Lindon [gives] a veritable master class in understated humanism."—Variety
France, Germany, Portugal, Switzerland
Miguel Gomes’ (Tabu, Our Beloved Month of August) astonishing three-volume, six-hour epic draws inspiration from the tales of Scheherazade (here played by Crista Alfaiate) and once again uses a fascinating combination of reality and fiction to comment on Portugal’s past, present and future. "There’s Bunuelian satire, lo-fi crime, Brechtian allegory, and high fantasy all in the mix. It’s dizzying stuff… a film that’s moving, sad, exciting, fiery, and funny."—Indiewire
France, Norway, Denmark, France, Denmark
When a war photographer (Isabelle Huppert) dies on assignment, her husband (Gabriel Byrne) struggles to mount a retrospective while dealing with his grieving sons (Jesse Eisenberg, Devin Druid) and her combative colleague (David Strathairn). Joachim Trier (Oslo, 31st August) poses tough questions about family, marital responsibility and balancing one’s calling and kin. “A smart, measured tale steeped in understatement and complimented by first-rate performances…”—Indiewire
Tim Roth delivers an understated performance as a hospice nurse whose selfless devotion to the terminally ill sometimes distorts into more inscrutable behaviour in Michel Franco’s deft character study. Recalling Michael Haneke’s Amour in its unsentimental depiction of life’s closing chapters, this mesmerizing psychological drama also examines the heavy toll exacted on this caregiver who’s at ease with impending death but at a loss with life. “A captivating work.”—Screen
France, Poland, Romania
Anca Damian’s ambitious mixed-media animated docudrama is a work of overwhelming artistry. Presented as a dialogue between Adam Jacek Winkler—a Quixote-like Pole who fought with the Mujahideen in Afghanistan against the Soviets—and his daughter (who co-wrote the film with Damian), it evokes the powerful personality of an uncompromising individualist and true romantic who lived outside the law due to his love of independence. “Beautifully assembled…”—Hollywood Reporter
A compelling story of the lengths a father will go to for the love of his child, set to Alexi Murdoch’s "Orange Sky."
Shot in a single astonishing take, this tour-de-force heist thriller plunges us into the predicament of Victoria (Laia Costa), whose “one crazy night” in Berlin grows increasingly perilous as she’s roped into a bank robbery. Such technical audaciousness only heightens the narrative’s tension, setting the stage for a dizzying climax that’s precisely the sort of spectacle best seen on the big screen. “A kinetic, frenetic, sense-swamping rollercoaster ride.”—Hollywood Reporter
Former martial arts champion Andreas Marquardt’s life isn’t defined by victories but rather by vicious cycles. The product of unthinkably abusive parents, contempt came easily, setting him on a self-destructive path demarcated by pimping and prison. Rosa von Praunheim’s unflinching docudrama reopens Marquardt’s old wounds through stylish re-enactments and profiles how one woman’s devotion—or is it masochism?—steers him towards hard-won redemption.
IT technician Hervé Falciani left his job at a Swiss branch of HSBC in 2008, taking with him a hard-drive containing a database of 130,000 bank accounts held by citizens from 180 countries. Ben Lewis’ comprehensive investigation explores in detail the fallout from Falciani’s actions, particularly the very slow progress being made by tax authorities in various countries to recoup the billions hidden in secret accounts…
Like his father before him, Sheikh Rehman has spent a lifetime designing and painting Bollywood film posters for Mumbai’s ancient Alfred Talkies cinema. His huge banners teem with the energy and action one expects from the films themselves. But times are changing—the Alfred Talkies’ audience is dwindling and plastic posters are becoming the norm… Florian Heinzen-Ziob and Georg Heinzen’s alternately vibrant and elegiac film holds focus on the colourful Rehman, a real artist who energetically plies his trade even as the only life he has known disappears around him.
A woman and a man meet in an abandoned opera house, where they embark on a magical pas de deux between time and space.
After a traumatic incident at a raging party, 17-year-old Tina (Carolyn Genzkow) discovers that a grotesque creature is following her like a shadow. Alarmingly, their bond grows increasingly symbiotic. Is this psychosis or living proof that every teenage year is a fresh hell? A title card advises of the health hazards of the stroboscopic visuals found in AKIZ’s EDM-propelled “narcotic-mindf**k-melodrama.” However, nothing warns of the unshakeable disquiet that lingers well after the last beat. "A raucous mashup of It Follows and Basket Case…"—Hollywood Reporter
Nicolas Steiner’s intrepid documentary tracks down five Americans who’ve moved off the grid. Taking refuge in tunnels and bunkers, they’re living like they’re in a post-apocalyptic world. Were there personal cataclysms that drove them to this? Steiner reveals key details about his subjects and their motivations—including those of an army vet who now wanders the desert in a spacesuit—with a patience that rivals the technical prowess on display in this visually stunning film. "Intriguing and absorbing… There is a certain poetry to these unusual lives.”—Screen
A vegetable merchant with a bullhorn. Two women on a bench. The intersection of life’s frustrations and melancholic comedy.
The long-awaited follow-up to 2010’s Attenberg, Athina Rachel Tsangari’s new comedic drama has her skewed sensibility and mordant wit pointed at the male psyche and its absurd penchant for competition. Six male acquaintances—they certainly aren’t friends—find themselves on a luxury yacht, where they engage in an escalating series of challenges that threatens to turn nasty… "A committedly deadpan comedy of manners, morals and men behaving weirdly…"—Variety
In this prize-winning experimental essay film, a HKer interrogates her estranged parents with acuity, compassion and formal daring. (SK)