Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
USA, Sweden, Denmark, Finland
Assembling striking archival material of African liberation efforts and scoring it with passages from Frantz Fanon’s vital treatise on colonialism, The Wretched of the Earth, acclaimed director Göran Hugo Olsson fashions one of the most impressively structured and incredibly intense found-footage films in recent memory. Lauren Hill narrates this “prickly, passionate call to arms.”—Time Out. Winner, Cinema Fairbindet Prize, Berlin 2014.
Finland, Slovakia, Luxembourg, Czech Republic
Thirty years after achieving the zenith of his career in grease paint, an acclaimed actor returns from self-imposed exile for one last show in Prague. Reunited with his former partners, he and his colleagues attempt to restage their greatest performance, stave off old rivalries and ensure that time doesn’t have the last laugh. Viktor Tauš’ poignant film reminds us that tragicomedy is the lifeblood of clowning.
Italy, Brazil, France
Wim Wenders and Juliano Ribeiro Salgado’s magnetic portrait of photographer Sebastião Salgado, is "illuminating and uplifting… [It moves] from his early years growing up on a Brazilian farm… through to his increasingly large-scale photographic projects that took him to many of the world’s most hostile and dangerous conflict zones… A moving tribute to a peerless talent."—Guardian. Winner, Special Jury Prize, Un Certain Regard, Cannes 2014.
USA, France, Russia, Austria, Germany
Generally considered the most important living Russian artists, Ilya and Emilia Kabakov cooperated fully on this documentary by Amei Wallach (Louise Bourgeois: The Spider, the Mistress and the Tangerine). More than 20 years after fleeing Russia, the Kabakovs return to install six walk-through installations in venues throughout Moscow. "Dynamically shot… conveying the emotional urgency of the Kabakovs’ work."—The New York Times
Master documentarian Frederick Wiseman continues his supremely intelligent examinations of institutions with this probing, beautifully made look at one of the west’s great bastions of culture—Britain’s National Gallery. Key staff and ongoing problems and controversies are all quietly examined, and the result is "a truly inspiring piece of filmmaking [that is] universally recognisable as a great, great film."—Telegraph
Pan Nalin, whose Samsara and Ayurveda: Art of Being struck such chords with Vancouverites, turns his spiritually questing eye towards the Kumbh Mela, the sacred Hindu pilgrimage/festival that unfolds along the Ganges and attracts 100 million devotees. By alternating specific characters—a 10-year-old runaway, an aging holy man—with the sheer spectacle on display, Nalin’s gorgeous film is a celebration of diversity.
Provocateur Bruno Dumont (Humanité) delivers arguably his biggest shocker yet with this outrageous comedy. An absurdist police procedural, it follows a Clouseau-like, tic-infested inspector as he investigates a macabre murder spree (dead cows are being stuffed with human remains) and contends with mischievous interference courtesy of a pack of juvenile scoundrels led by the impish Quinquin. “Wonderfully weird and unexpectedly hilarious…”—Variety
Given reactions to the recent exposé of cruelty at a Fraser Valley dairy farm, this revealing, unsentimental account of where cattle stand in our world is bound to strike a chord. But this is not just a journey into a charnel house. It’s an unforgettable, globetrotting (from the Algerian Sahara to the Amazon to the Alps), ravishingly cinematic study of man’s relationship with his bovine brother.
Beginning as a cellphone-shot record of his mother’s losing battle with Alzheimer’s, Jean-Albert Lièvre’s documentary retains its incredible intimacy but grows into a universal testament to dignity. “An unexpectedly hopeful exploration of a terribly sad situation… A portrait of love, patience and the pursuit of a more humane, holistic approach…”—Hollywood Reporter. Winner, Best Documentary, COLCOA 2014.
An unflappable free spirit (Kevin Azaïs, casually charismatic) and driven survivalist (Adèle Haenel, intense and alluring) make for unlikely lovers in Thomas Cailley’s wonderfully oddball comedy. When the couple enlists in boot camp, paintball pellets stand in for Cupid’s arrows and their fledgling romance is put through the paces. "Overflowing with relentlessly acerbic humour…"—Hollywood Reporter. Winner, FIPRESCI Prize, Directors’ Fortnight, Cannes 2014.
Alain Resnais’ swan song is a wry, deliberately heightened adaptation of Alan Ayckbourn’s play. The unseen Riley is dying, but he still possesses the power to disrupt the marriages of his friends (Sabine Azéma, Sandrine Kiberlain, André Dussollier, Hippolyte Girardot). "This joyous yet melancholic effort… charts the woes of middle-class couples coping with problematic love lives, solitude and death…"—Hollywood Reporter. Winner, Alfred Bauer Prize, Berlin 2014.
UK, USA, France, Nigeria
Legendary Nigerian Afrobeat pioneer and political dissident Fela Kuti is brought to life in Oscar-winner Alex Gibney’s (Taxi to the Dark Side) stirring evocation of the man and his music. Mixing archival concert footage from the 70s and 80s, present-day interviews and behind-the-scenes documentation of the 2009 Broadway musical Fela!, Gibney’s kaleidoscopic film is as protean and rousing as Kuti himself was.
The story of an idealistic teacher who becomes convinced that one of her five-year old charges is a prodigious poet, Nadav Lapid’s second feature (Policeman was in VIFF 11) invites myriad questions about life and art, words and meaning, and the perceptual boundaries between adults and children. Elusive, haunting and ultimately disturbing, this is a drama you’ll be replaying in your mind long afterwards.
Skipping across South Sudan in a plane he built himself, uncompromising Oscar-nominated documentarian Hubert Sauper (Darwin’s Nightmare) reveals how the world’s newest country is being carved up by foreign multinationals and missionaries. “A surreal, moving, infuriating and persuasive argument that in South Sudan there’s nothing ’post’ about colonialism.”—The New York Times. Winner, Special Jury Prize: Cinematic Bravery, Sundance 2014.
Qatar, France, Germany, Uruguay, Argentina
There are echoes of VIFF 12 standout Neighbouring Sounds in this anxiety-fuelled thriller. As increasingly odd events unfold in an affluent Buenos Aires suburb, anxiety escalates, setting the stage for an intoxicatingly tense climax. Benjamín Naishtat “invokes a sinister vibe [and] dramatizes the point at which desire for safety sublimates into paranoid acquiescence.”—Film Comment. Winner, Grand Prize, Jeonju 2014; New Directors Prize, San Francisco 2014.
Dietrich Brüggemann’s conceptually daring story of a devout teenager’s trials is eloquently told in 14 chapters, each a masterful single take. As Maria becomes a “warrior of Christ,” the film proves itself both a condemnation of fundamentalist religion and a testament to faith. “While stark, it’s far from chilly—Brüggemann has a sense of humor about his subject matter.”—Village Voice. Winner, Best Screenplay, Berlin 2014.
Italy, Canada, France
Giuseppe Marinoni has been making some of the most desirable bicycle frames in Canada for decades. A former competitive cyclist, he decides, at age 75, to attempt a world record for distance cycled in an hour for his age group. His perfectionism, combined with a curmudgeonly nature, leaves him impatient with director Tony Girardin, adding a lot of humour to this inspiring film.
Based on Bi Feiyu’s best-selling novel, Lou Ye’s sensual drama explores a Nanjing massage parlour and the desires of the sightless masseurs and masseuses employed there. As the camera and actors (including the extraordinary Guo Xiaodong and Qin Hao) grow as intimate as lovers and Lou artfully conveys how his characters experience the world, the film becomes "entirely engrossing…”—Variety. Winner, Best Cinematography, Berlin 2014.
Brazil, France, Mexico, Denmark, Germany, Argentina
Lisandro Alonso returns with a gorgeous, 19th century-set existential exploration. Viggo Mortensen is a Danish engineer who heads into the Patagonian wilderness in search of his missing daughter. "This hallucinatory head-trip Western remains unmistakably Alonso’s film… a metaphysical road movie in which origin and destination are markedly less important than the journey itself."—Variety. Winner, FIPRESCI Prize, Un Certain Regard, Cannes 2014.
Incisively and with great compassion, Jaime Rosales sketches the lives of Spain’s lost generation through the relationship of Carlos (Carlos Rodríguez) and Natalia (Ingrid García Jonsson). "An intelligent, bracing study of Spanish twentysomethings doomed to unemployment and disillusion… Brilliant, challenging… [The] whole film is an audacious leap into real lives and real experiences… A powerful and heartfelt film."—Guardian