Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
USA, Sweden, Denmark, Finland
Assembling striking archival material of African liberation efforts and scoring it with passages from Frantz Fanon’s vital treatise on colonialism, The Wretched of the Earth, acclaimed director Göran Hugo Olsson fashions one of the most impressively structured and incredibly intense found-footage films in recent memory. Lauren Hill narrates this “prickly, passionate call to arms.”—Time Out. Winner, Cinema Fairbindet Prize, Berlin 2014.
Finland, Slovakia, Luxembourg, Czech Republic
Thirty years after achieving the zenith of his career in grease paint, an acclaimed actor returns from self-imposed exile for one last show in Prague. Reunited with his former partners, he and his colleagues attempt to restage their greatest performance, stave off old rivalries and ensure that time doesn’t have the last laugh. Viktor Tauš’ poignant film reminds us that tragicomedy is the lifeblood of clowning.
The prolific Xavier Dolan reveals a newfound maturity with this bittersweet account of Diane (Anne Dorval, channelling Gena Rowlands) and her delinquent son (Antoine-Olivier Pilon, magnetic). Having abandoned the matricidal posturing of I Killed My Mother, Dolan sides with Diane on this occasion, crafting "a funny, heartbreaking and, above all, original work…"—Variety. Winner, Prix du Jury (ex aequo), Cannes 2014.
Canada, France, Germany
Perverse and playful, David Cronenberg’s merciless satire takes dead aim at the Hollywood glitterati’s vanities, psychoses and foolish belief that the past can be rewritten. A powerhouse ensemble—John Cusack, Julianne Moore, Mia Wasikowska and Robert Pattinson—brings Cronenberg’s glamourous grotesques to life. “Mulholland Drive, Sunset Boulevard and The Player wrapped up into one darkly comic, Gothic-tinged package.”—Screen. Winner, Best Actress (Julianne Moore), Cannes 2014.
Italy, France, Belgium
Marion Cotillard gives her rawest performance as a woman desperately trying to save her job and discovering the meaning of solidarity and self-worth. "A tense dramatic situation and a subtly magnificent central performance… add up to an outstanding new movie from the Dardenne brothers: impassioned, exciting and moving—a Twelve Angry Men of the 21st-century workplace."—Guardian. Winner, Sydney Film Prize, Sydney 2014.
France, Turkey, Germany
"Nuri Bilge Ceylan [Once Upon a Time in Anatolia] is at the peak of his powers with [this] richly engrossing and ravishingly beautiful magnum opus… [The film] tunnels into the everyday existence of a middle-aged former actor turned comfortably situated hotel owner—and emerges with a multifaceted study of human frailty whose moral implications resonate far beyond its remote Turkish setting."—Variety. Winner, Palme d’Or, Cannes 2014.
France, Germany, Switzerland
Juliette Binoche is riveting as an actor asked to revisit the play that made her a star 20 years before—but this time she is to essay the role of the older woman, not the ingenue… "Though deceptively casual on its surface… [Olivier Assayas’ film is] a multi-layered, femme-driven meta-fiction that pushes all involved—including next-gen starlets Kristen Stewart and Chloë Grace Moretz—to new heights."—Variety
France, Ivory Coast
Beginning with an assassination that makes it obvious why our protagonist (Abdoul Karim Konaté) is called "Run," Philippe Lacôte’s alternately oneiric and ultra-realistic coming-of-age tale is mesmerizing cinema. "Run makes one young man’s picaresque adventures into a magical realist microcosm of the Ivory Coast’s recent history… The current hotness of African cinema just got a little hotter."—Hollywood Reporter
Italy, Brazil, France
Wim Wenders and Juliano Ribeiro Salgado’s magnetic portrait of photographer Sebastião Salgado, is "illuminating and uplifting… [It moves] from his early years growing up on a Brazilian farm… through to his increasingly large-scale photographic projects that took him to many of the world’s most hostile and dangerous conflict zones… A moving tribute to a peerless talent."—Guardian. Winner, Special Jury Prize, Un Certain Regard, Cannes 2014.
USA, France, Russia, Austria, Germany
Generally considered the most important living Russian artists, Ilya and Emilia Kabakov cooperated fully on this documentary by Amei Wallach (Louise Bourgeois: The Spider, the Mistress and the Tangerine). More than 20 years after fleeing Russia, the Kabakovs return to install six walk-through installations in venues throughout Moscow. "Dynamically shot… conveying the emotional urgency of the Kabakovs’ work."—The New York Times
Master documentarian Frederick Wiseman continues his supremely intelligent examinations of institutions with this probing, beautifully made look at one of the west’s great bastions of culture—Britain’s National Gallery. Key staff and ongoing problems and controversies are all quietly examined, and the result is "a truly inspiring piece of filmmaking [that is] universally recognisable as a great, great film."—Telegraph
Pan Nalin, whose Samsara and Ayurveda: Art of Being struck such chords with Vancouverites, turns his spiritually questing eye towards the Kumbh Mela, the sacred Hindu pilgrimage/festival that unfolds along the Ganges and attracts 100 million devotees. By alternating specific characters—a 10-year-old runaway, an aging holy man—with the sheer spectacle on display, Nalin’s gorgeous film is a celebration of diversity.
UK, USA, France, Nigeria
Legendary Nigerian Afrobeat pioneer and political dissident Fela Kuti is brought to life in Oscar-winner Alex Gibney’s (Taxi to the Dark Side) stirring evocation of the man and his music. Mixing archival concert footage from the 70s and 80s, present-day interviews and behind-the-scenes documentation of the 2009 Broadway musical Fela!, Gibney’s kaleidoscopic film is as protean and rousing as Kuti himself was.
Provocateur Bruno Dumont (Humanité) delivers arguably his biggest shocker yet with this outrageous comedy. An absurdist police procedural, it follows a Clouseau-like, tic-infested inspector as he investigates a macabre murder spree (dead cows are being stuffed with human remains) and contends with mischievous interference courtesy of a pack of juvenile scoundrels led by the impish Quinquin. “Wonderfully weird and unexpectedly hilarious…”—Variety
Given reactions to the recent exposé of cruelty at a Fraser Valley dairy farm, this revealing, unsentimental account of where cattle stand in our world is bound to strike a chord. But this is not just a journey into a charnel house. It’s an unforgettable, globetrotting (from the Algerian Sahara to the Amazon to the Alps), ravishingly cinematic study of man’s relationship with his bovine brother.
Beginning as a cellphone-shot record of his mother’s losing battle with Alzheimer’s, Jean-Albert Lièvre’s documentary retains its incredible intimacy but grows into a universal testament to dignity. “An unexpectedly hopeful exploration of a terribly sad situation… A portrait of love, patience and the pursuit of a more humane, holistic approach…”—Hollywood Reporter. Winner, Best Documentary, COLCOA 2014.
The story of an idealistic teacher who becomes convinced that one of her five-year old charges is a prodigious poet, Nadav Lapid’s second feature (Policeman was in VIFF 11) invites myriad questions about life and art, words and meaning, and the perceptual boundaries between adults and children. Elusive, haunting and ultimately disturbing, this is a drama you’ll be replaying in your mind long afterwards.
Skipping across South Sudan in a plane he built himself, uncompromising Oscar-nominated documentarian Hubert Sauper (Darwin’s Nightmare) reveals how the world’s newest country is being carved up by foreign multinationals and missionaries. “A surreal, moving, infuriating and persuasive argument that in South Sudan there’s nothing ’post’ about colonialism.”—The New York Times. Winner, Special Jury Prize: Cinematic Bravery, Sundance 2014.
Qatar, France, Germany, Uruguay, Argentina
There are echoes of VIFF 12 standout Neighbouring Sounds in this anxiety-fuelled thriller. As increasingly odd events unfold in an affluent Buenos Aires suburb, anxiety escalates, setting the stage for an intoxicatingly tense climax. Benjamín Naishtat “invokes a sinister vibe [and] dramatizes the point at which desire for safety sublimates into paranoid acquiescence.”—Film Comment. Winner, Grand Prize, Jeonju 2014; New Directors Prize, San Francisco 2014.
Dietrich Brüggemann’s conceptually daring story of a devout teenager’s trials is eloquently told in 14 chapters, each a masterful single take. As Maria becomes a “warrior of Christ,” the film proves itself both a condemnation of fundamentalist religion and a testament to faith. “While stark, it’s far from chilly—Brüggemann has a sense of humor about his subject matter.”—Village Voice. Winner, Best Screenplay, Berlin 2014.