Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Dilys is full of energy as she gives us an entertaining insight into life at 91, and shares her ambitious hopes for the future.
Believing that he’s been racially profiled, a young black man blows off steam. Then, things get personal.
An acting guru leads two hapless performers through a scene from A Streetcar Named Desire.
Director Ricardo Troggi (1981) delights with this hilarious and sometimes caustic souvenir of his own life when he was 17 years old. Jean-Carl Boucher plays young Ricardo as a cockeyed Quixote, fearlessly tilting at the repressive tyranny of everyday adolescence. Inspired by a surreal vision, he’s on a quirky quest that involves raging hormones, family drama and petty crime.
Water fights can lead to dramatic outcomes.
Jack (Paul Campbell) and Meagan (Alex Paxton-Beesley) have got it all. They’ve just bought a house, they’re thinking about a family and they have a close-knit circle of zany friends that love them. A few hookups, breakups and breakdowns later, the circle unravels and then regroups in this sharp-edged and libidinous comedy from writer-director Alex Pugsley.
We devour countless cooking shows, culinary magazines and foodie blogs. We love food and yet—thanks to our expensive obsession with expiration dates and perfect produce—we throw nearly half of it in the trash. Attempting to live waste-free, filmmakers Grant Baldwin and Jen Rustemeyer subsist on discarded food for six months. Their documentary charts their experiment’s shocking revelations. Winner, Emerging Artist Award, Hot Docs 2014.
"Young people today are too often found in a space of social homelessness, where we are invisible in public discourse, and the value of our lived experience is reduced to teenage weirdness." A poetic statement of what youth need.
An African village is the stage for a story of oppression and hope.
Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s and absolutely anything seems possible. They’ve been friends forever and the future is bright. Then, on a lovely summer’s day, Yan dies in a car crash… Director Julie Hivon follows their desperate attempts to make some kind of sense of life without Yan.
A father and daughter bond as she cuts his hair. But then the phone rings…
What happens when love exists outside of the high school norm? (United Way Care to Change Video Competition winner.)
A gothic bedtime story filled with love, loss, taxidermy, Kung fu and biker werewolves.
A lone school teacher fights off an entire motorcycle gang while chaperoning a middle-school dance.
Sometimes you are your own greatest ally. (United Way Care to Change Video Competition winner.)
With a foreign military force encroaching, an odd interrogation ensues.
Born with albinism, Adam is ostracized in his Tanzanian village and violently assaulted by witch doctors who believe that his limbs possess mystic properties. A Canadian born with the same condition hears of Adam’s plight and takes action. “Harrowing and poignant… Vic Sarin’s [documentary], with its searing images, is both ode to human resilience and ingenuity, and indictment of human cruelty and stupidity.”—Globe and Mail
What would bullying look like if we saw it for what it is? (United Way Care to Change Video Competition winner.)
A meek nine-year-old roams a post-industrial landscape in search of a feral cat.
The prolific Xavier Dolan reveals a newfound maturity with this bittersweet account of Diane (Anne Dorval, channelling Gena Rowlands) and her delinquent son (Antoine-Olivier Pilon, magnetic). Having abandoned the matricidal posturing of I Killed My Mother, Dolan sides with Diane on this occasion, crafting "a funny, heartbreaking and, above all, original work…"—Variety. Winner, Prix du Jury (ex aequo), Cannes 2014.