Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
France, Germany, Switzerland
Juliette Binoche is riveting as an actor asked to revisit the play that made her a star 20 years before—but this time she is to essay the role of the older woman, not the ingenue… "Though deceptively casual on its surface… [Olivier Assayas’ film is] a multi-layered, femme-driven meta-fiction that pushes all involved—including next-gen starlets Kristen Stewart and Chloë Grace Moretz—to new heights."—Variety
A terrific cast featuring Zabou Breitman, Pascal Elbe, Jacques Gamblin and Sylvie Testud anchors Alexandre Arcady’s true-life thriller. "[The film] offers up a white-knuckle dramatization of the nearly month-long kidnapping and torture of 23-year-old Ilan Halimi, whose traumatic ordeal… prompted a massive police manhunt and, eventually, a national outcry against anti-Semitism in France… Captivating…"—Hollywood Reporter
Acclaimed and controversial French author Michel Houellebecq is the centre of this hilarious and strange mélange of real life and fiction. When the notorious curmudgeon (playing himself) is kidnapped and anesthetized with alcohol, a caustic (and occasionally inebriated) game of cat and mouse commences and the barriers between captor and captive slowly dissolve… Winner, Best Screenplay, Tribeca 2014.
"Jean-Luc Godard’s 3-D opus, was easily [Cannes’] defining event… Less a culmination of the polyphonic mode that is Late Godard than an acceleration, the film is a furiously associative meditation on humanity and history, cinematic and linguistic meaning, the world of nature and the nature of reality—all refracted through fragmentary episodes involving an adulterous couple and dog’s-eye-view roamings through a light-streaked forest.”—Art Forum. Winner, Prix du Jury (ex aequo), Cannes 2014.
Catherine Deneuve owns the screen in her seventh collaboration with André Téchiné (Scene of the Crime, Thieves). She plays real-life casino owner Renée Le Roux, who went up against the mob in 1970s Nice and whose daughter Agnès (rising star Adèle Haenel, also in Love at First Fight) subsequently disappeared. Guillaume Canet (Tell No One) is the shady lawyer—Agnès’ lover—who may (or may not) be involved in the disappearance.
Provocateur Bruno Dumont (Humanité) delivers arguably his biggest shocker yet with this outrageous comedy. An absurdist police procedural, it follows a Clouseau-like, tic-infested inspector as he investigates a macabre murder spree (dead cows are being stuffed with human remains) and contends with mischievous interference courtesy of a pack of juvenile scoundrels led by the impish Quinquin. “Wonderfully weird and unexpectedly hilarious…”—Variety
Can a road trip to an unexpected place be a miraculous healing experience?
Yves Saint Laurent receives a suitably stylish, well-tailored biopic courtesy of director Jalil Lespert, who delves into the iconic designer’s meteoric rise, relationship with Pierre Bergé (Guillaume Gallienne) and creative crises. Pierre Niney "doesn’t play Saint Laurent so much as embody him… [and] Ibrahim Maalouf’s score occasionally dares to go for baroque or broke, lending an operatic quality to the proceedings that suits the material.”—Hollywood Reporter
Two very different pediatrician brothers (Cédric Kahn, Laurent Stocker) fall for the same barmaid (the luminous Louise Bourgoin) in Axelle Ropert’s (The Wolberg Family) intelligent romance. "Reminiscent of… [the] cleverly scripted adult dramas of François Truffaut’s late period. It’s at once astutely observed and deeply, though subtly, passionate… The direction and performances are spot-on throughout."—Hollywood Reporter
Given reactions to the recent exposé of cruelty at a Fraser Valley dairy farm, this revealing, unsentimental account of where cattle stand in our world is bound to strike a chord. But this is not just a journey into a charnel house. It’s an unforgettable, globetrotting (from the Algerian Sahara to the Amazon to the Alps), ravishingly cinematic study of man’s relationship with his bovine brother.
The French title—time suspended—perfectly captures this affectionate celebration of the artisans who create fabulous haute-couture outfits for Dior, Chanel and Yves Saint Laurent: a third-generation specialist in pleat-making; a designer of perfect artificial flowers whose atelier opened in 1880; and one of three remaining sculptors of wooden forms for hat-making. A delightful look at a vanishing breed.
Beginning as a cellphone-shot record of his mother’s losing battle with Alzheimer’s, Jean-Albert Lièvre’s documentary retains its incredible intimacy but grows into a universal testament to dignity. “An unexpectedly hopeful exploration of a terribly sad situation… A portrait of love, patience and the pursuit of a more humane, holistic approach…”—Hollywood Reporter. Winner, Best Documentary, COLCOA 2014.
France, Hungary, South Korea
Hungarian director/ringmaster György Pálfi (Hukkle) turns an apartment building into seven rings of carnivalesque hell in this stunner. Pálfi essays the grotesqueries of modern life through stories that run the gamut from social realism to sci-fi. “It’s thrilling to see a director in such clear command of the cinematic medium operating in such a playfully stylized way.”—Variety. Winner, Best Director, Karlovy Vary 2014.
France, Ivory Coast
Beginning with an assassination that makes it obvious why our protagonist (Abdoul Karim Konaté) is called "Run," Philippe Lacôte’s alternately oneiric and ultra-realistic coming-of-age tale is mesmerizing cinema. "Run makes one young man’s picaresque adventures into a magical realist microcosm of the Ivory Coast’s recent history… The current hotness of African cinema just got a little hotter."—Hollywood Reporter
France, Germany, Malaysia, Netherlands
Pak Awang wants to give his daughter a wedding gift: a house he finds in the jungle. He enlists fellow villagers to literally move it, on their shoulders, to their Malaysian village. But when an illegal African immigrant sheltering there is mistaken for a ghost, a madcap series of hilarious misunderstandings ensues. Black humour with a serious political/allegorical twist. Shelly Kraicer
France, Georgia, Germany, Kazakhstan, Czech Republic
Eloquent and engrossing, George Ovashvili’s fable-like drama unfolds on a tiny island that emerges each summer from a river between warring Georgia and Abkhazia. For the skillful elderly peasant who plants its amazing corn crop and his nubile granddaughter, it’s soon the site of a desperate struggle for survival. "A master class in emotionally charged minimalism…"—Hollywood Reporter. Winner, Crystal Globe, Karlovy Vary 2014.
Skipping across South Sudan in a plane he built himself, uncompromising Oscar-nominated documentarian Hubert Sauper (Darwin’s Nightmare) reveals how the world’s newest country is being carved up by foreign multinationals and missionaries. “A surreal, moving, infuriating and persuasive argument that in South Sudan there’s nothing ’post’ about colonialism.”—The New York Times. Winner, Special Jury Prize: Cinematic Bravery, Sundance 2014.
The story of an idealistic teacher who becomes convinced that one of her five-year old charges is a prodigious poet, Nadav Lapid’s second feature (Policeman was in VIFF 11) invites myriad questions about life and art, words and meaning, and the perceptual boundaries between adults and children. Elusive, haunting and ultimately disturbing, this is a drama you’ll be replaying in your mind long afterwards.
France, Hong Kong
Tsang Tsui Shan brings the past to life in this beautiful, bittersweet documentary that shares the story of a Hong Kong family and recounts their fortunes over the span of decades, replete with home videos and photos. The culture the film sketches is unique but the emotions it evokes are immediately familiar. "There’s much nostalgia to feel for, and much beauty to behold…"—Hollywood Reporter
Dietrich Brüggemann’s conceptually daring story of a devout teenager’s trials is eloquently told in 14 chapters, each a masterful single take. As Maria becomes a “warrior of Christ,” the film proves itself both a condemnation of fundamentalist religion and a testament to faith. “While stark, it’s far from chilly—Brüggemann has a sense of humor about his subject matter.”—Village Voice. Winner, Best Screenplay, Berlin 2014.