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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
A broken family learns to cope when their autistic son shows them everything they need—without saying a word.
A chef who’s honed his talents in prison finds the outside world to be an unforgiving place.
Bernie Custis, 83, was the first black quarterback in professional football. This is his story.
Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Masturbation. Pop Tart. Bootie. Rejection. Weeping. Awkward. Life’s a bitch.
Carol (Arabella Bushnell) has a unique way of dealing with her frustrations with family, friends and co-workers: writing brutally honest songs (that frequently feature threats of violence) and leaving them on their voicemail. Carol’s creative catharsis has some immediate and unexpected consequences in this hilarious, offbeat comedy from writer-director Kris Elgstrand.
When a series of grisly murders plague a low-rent film production, a former master-editor turned whipping boy becomes the prime suspect. Astron-6 (Manborg) film collective members Adam Brooks and Matthew Kennedy write, direct and star in this deranged, debauched ode to ’70s Italian giallo fare. Gore, gratuitous nudity and an inspired guest appearance by Udo Kier make for the perfect late night out.
After a couple discovers a supernatural phenomenon in their backyard, their relationship takes an unexpected turn.
After having this hand lopped off by a gangster he’s offended, a brash underground cartoonist watches the disembodied appendage return to life and become a reanimated avenging angel/defender of free speech. Deliriously irreverent, wantonly vulgar and perversely gory, Matt O’Mahoney’s splatter horror flick is one of the year’s most gonzo genre offerings and “signals an underground spirit thriving in Vancouver…”—Spectacular Optical
A young military couple struggles to keep their marriage together through the last days of the husband’s tour.
Maureen Bradley’s debut feature is a bittersweet romantic comedy with a transgender hero in an unimaginable predicament. Oddball couple Miriam and Adam have an ill-advised and pivotal one night stand that sees them both wind up pregnant. Engagingly shot by Amy Belling, the film features standout performances from Gavin Crawford (This Hour Has 22 Minutes), Naomi Snieckus (Mr. D) and Gabrielle Rose.
Ana Valine’s darkly comic drama centres on mother/daughter con artists who just can’t catch a break. Seen through the eyes of 16-year-old Sammie (Paloma Kwiatkowski)—who lives with her pill-popping, alcoholic mom Marlene (Suzanne Clément)—this bittersweet journey leads us through dysfunction, love and addiction, before culminating with an unusual deliverance for this compelling pair. Winner, Best Director, Leo Awards 2014.
Three friends struggle to realize their identities inside a shifting love triangle that fractures their friendship.
An animated ode to filmmaker Claude Jutra and an account of his views on art and cinema.
A young boy falls in love in Victoria’s Chinatown and sparks a symphony in dynamite.
An abstract exploration of ephemerality and recycling.
Director Ricardo Troggi (1981) delights with this hilarious and sometimes caustic souvenir of his own life when he was 17 years old. Jean-Carl Boucher plays young Ricardo as a cockeyed Quixote, fearlessly tilting at the repressive tyranny of everyday adolescence. Inspired by a surreal vision, he’s on a quirky quest that involves raging hormones, family drama and petty crime.
A striking visual treatment of a spoken word poem, written and performed by Hopy Tareke.
In the crackpot mosaic that is Montréal in 1966, Jean Corbo, an idealistic 16-year-old, befriends two far-left political activists and joins the FLQ (Liberation Front of Québec), an underground movement determined to spark a socialist revolution and Québec’s separation from Canada. Director Mathieu Denis brings the true and tragic story of a decisive moment in Canadian history into sharp focus.
Director Julia Kwan documents the pivotal changes affecting the culture and economy of Vancouver’s Chinatown, one of the oldest in North America. With humour and sympathy, Kwan introduces us to residents who see their way of living eroding and to others who welcome the transition, including real estate consultant Bob Rennie.
An acting guru leads two hapless performers through a scene from A Streetcar Named Desire.