Maureen Bradley’s debut feature is a bittersweet romantic comedy with a transgender hero in an unimaginable predicament. Oddball couple Miriam and Adam have an ill-advised and pivotal one night stand that sees them both wind up pregnant. Engagingly shot by Amy Belling, the film features standout performances from Gavin Crawford (This Hour Has 22 Minutes), Naomi Snieckus (Mr. D) and Gabrielle Rose.
An abstract exploration of ephemerality and recycling.
Director Ricardo Troggi (1981) delights with this hilarious and sometimes caustic souvenir of his own life when he was 17 years old. Jean-Carl Boucher plays young Ricardo as a cockeyed Quixote, fearlessly tilting at the repressive tyranny of everyday adolescence. Inspired by a surreal vision, he’s on a quirky quest that involves raging hormones, family drama and petty crime.
In the crackpot mosaic that is Montréal in 1966, Jean Corbo, an idealistic 16-year-old, befriends two far-left political activists and joins the FLQ (Liberation Front of Québec), an underground movement determined to spark a socialist revolution and Québec’s separation from Canada. Director Mathieu Denis brings the true and tragic story of a decisive moment in Canadian history into sharp focus.
Director Julia Kwan documents the pivotal changes affecting the culture and economy of Vancouver’s Chinatown, one of the oldest in North America. With humour and sympathy, Kwan introduces us to residents who see their way of living eroding and to others who welcome the transition, including real estate consultant Bob Rennie.
An eminent psychiatrist disappears from his office. The last person to have seen him is Michael, a handsome and seemingly innocuous patient, played here by Xavier Dolan in a tour-de-force performance. The director of the hospital, Dr. Green (Bruce Greenwood), investigates the disappearance but instead uncovers Michael’s dark secrets. Charles Binamé directs this taut psychological drama with a sure and subtle hand.
A woman confronts her cousin, who’s been telling people that she isn’t actually First Nations.
We devour countless cooking shows, culinary magazines and foodie blogs. We love food and yet—thanks to our expensive obsession with expiration dates and perfect produce—we throw nearly half of it in the trash. Attempting to live waste-free, filmmakers Grant Baldwin and Jen Rustemeyer subsist on discarded food for six months. Their documentary charts their experiment’s shocking revelations. Winner, Emerging Artist Award, Hot Docs 2014.
Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s and absolutely anything seems possible. They’ve been friends forever and the future is bright. Then, on a lovely summer’s day, Yan dies in a car crash… Director Julie Hivon follows their desperate attempts to make some kind of sense of life without Yan.
The latest from Denys Arcand (The Decline of the American Empire, The Barbarian Invasions) is the story of Luke (Éric Bruneau), a brilliant young architect who’s beginning to earn acclaim while leading a peaceful, seemingly perfect life with his wife Stephanie (Mélanie Thierry) in Québec’s Charlevoix region. Invited to sit on a architecture jury in Toronto, he meets a mysterious woman who will change his life…
Finishing his late grandfather’s final model ship, a young boy drifts between surreal dreams and waking life.
Canada, France, Tunisia
Writer-director Kaouther Ben Hania turns her caustically funny eye to the sexist practices and antediluvian views she finds endemic in her country. "An audacious mockumentary… Hilarious and acerbic… Ostensibly about the director’s search for a man who slashed 11 women from his motorbike back in 2003, the pic shines a discomfiting light on Tunisia’s attitudes toward women, using a fake-documentary approach…"—Variety
Sturla Gunnarsson’s latest is a personal reflection on chaos, creation and faith in a land of believers. He explores the incomparably vast seasonal weather system that permeates and unifies the immense and varied cultures of India. As the huge system gradually engulfs every region of the country, we meet a remarkable array of individuals whose lives are fundamentally affected by the phenomenon.
The prolific Xavier Dolan reveals a newfound maturity with this bittersweet account of Diane (Anne Dorval, channelling Gena Rowlands) and her delinquent son (Antoine-Olivier Pilon, magnetic). Having abandoned the matricidal posturing of I Killed My Mother, Dolan sides with Diane on this occasion, crafting "a funny, heartbreaking and, above all, original work…"—Variety. Winner, Prix du Jury (ex aequo), Cannes 2014.