Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
When a series of grisly murders plague a low-rent film production, a former master-editor turned whipping boy becomes the prime suspect. Astron-6 (Manborg) film collective members Adam Brooks and Matthew Kennedy write, direct and star in this deranged, debauched ode to ’70s Italian giallo fare. Gore, gratuitous nudity and an inspired guest appearance by Udo Kier make for the perfect late night out.
After a couple discovers a supernatural phenomenon in their backyard, their relationship takes an unexpected turn.
After having this hand lopped off by a gangster he’s offended, a brash underground cartoonist watches the disembodied appendage return to life and become a reanimated avenging angel/defender of free speech. Deliriously irreverent, wantonly vulgar and perversely gory, Matt O’Mahoney’s splatter horror flick is one of the year’s most gonzo genre offerings and “signals an underground spirit thriving in Vancouver…”—Spectacular Optical
A young military couple struggles to keep their marriage together through the last days of the husband’s tour.
Maureen Bradley’s debut feature is a bittersweet romantic comedy with a transgender hero in an unimaginable predicament. Oddball couple Miriam and Adam have an ill-advised and pivotal one night stand that sees them both wind up pregnant. Engagingly shot by Amy Belling, the film features standout performances from Gavin Crawford (This Hour Has 22 Minutes), Naomi Snieckus (Mr. D) and Gabrielle Rose.
Ana Valine’s darkly comic drama centres on mother/daughter con artists who just can’t catch a break. Seen through the eyes of 16-year-old Sammie (Paloma Kwiatkowski)—who lives with her pill-popping, alcoholic mom Marlene (Suzanne Clément)—this bittersweet journey leads us through dysfunction, love and addiction, before culminating with an unusual deliverance for this compelling pair. Winner, Best Director, Leo Awards 2014.
Three friends struggle to realize their identities inside a shifting love triangle that fractures their friendship.
An animated ode to filmmaker Claude Jutra and an account of his views on art and cinema.
A young boy falls in love in Victoria’s Chinatown and sparks a symphony in dynamite.
An abstract exploration of ephemerality and recycling.
Director Ricardo Troggi (1981) delights with this hilarious and sometimes caustic souvenir of his own life when he was 17 years old. Jean-Carl Boucher plays young Ricardo as a cockeyed Quixote, fearlessly tilting at the repressive tyranny of everyday adolescence. Inspired by a surreal vision, he’s on a quirky quest that involves raging hormones, family drama and petty crime.
A striking visual treatment of a spoken word poem, written and performed by Hopy Tareke.
Director Julia Kwan documents the pivotal changes affecting the culture and economy of Vancouver’s Chinatown, one of the oldest in North America. With humour and sympathy, Kwan introduces us to residents who see their way of living eroding and to others who welcome the transition, including real estate consultant Bob Rennie.
An acting guru leads two hapless performers through a scene from A Streetcar Named Desire.
In the crackpot mosaic that is Montréal in 1966, Jean Corbo, an idealistic 16-year-old, befriends two far-left political activists and joins the FLQ (Liberation Front of Québec), an underground movement determined to spark a socialist revolution and Québec’s separation from Canada. Director Mathieu Denis brings the true and tragic story of a decisive moment in Canadian history into sharp focus.
A woman confronts her cousin, who’s been telling people that she isn’t actually First Nations.
We devour countless cooking shows, culinary magazines and foodie blogs. We love food and yet—thanks to our expensive obsession with expiration dates and perfect produce—we throw nearly half of it in the trash. Attempting to live waste-free, filmmakers Grant Baldwin and Jen Rustemeyer subsist on discarded food for six months. Their documentary charts their experiment’s shocking revelations. Winner, Emerging Artist Award, Hot Docs 2014.
We don’t often hear from the young people in Canada’s north, but here they are in their own words.
An eminent psychiatrist disappears from his office. The last person to have seen him is Michael, a handsome and seemingly innocuous patient, played here by Xavier Dolan in a tour-de-force performance. The director of the hospital, Dr. Green (Bruce Greenwood), investigates the disappearance but instead uncovers Michael’s dark secrets. Charles Binamé directs this taut psychological drama with a sure and subtle hand.
Sturla Gunnarsson’s latest is a personal reflection on chaos, creation and faith in a land of believers. He explores the incomparably vast seasonal weather system that permeates and unifies the immense and varied cultures of India. As the huge system gradually engulfs every region of the country, we meet a remarkable array of individuals whose lives are fundamentally affected by the phenomenon.