Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
After a fateful confrontation during the Iran-Iraq War, two former enemies meet again by sheer chance in Vancouver.
A surrealist journey, inspired by poetry and set to Balkan beats, that evokes fantastic dreams and passionate nights.
An Indigenous artist’s graffiti comes to life, spawning an odd transformation while revealing the ravages of industrial violence.
A humorous spectacle reveals the fallacy of the selfie while restoring the humanity of the stripped-down “calendar girl.”
Sean Garrity (Lucid, Blood Pressure) returns with a distinctly Canadian comedic drama. An unemployed gambling addict drags his pot-smoking teenage daughter on a road trip to Churchill, Manitoba, in hopes of showing her the Northern Lights before a disorder renders her blind. With a bookie in pursuit, they’re forced to confront each other, their pasts and their respective loves for poker and weed. Starring Jonas Chernick, Emily Hampshire, Joey King and Kevin Pollak.
The only thing standing between Micky and her first orgasm are some misguided ideas about healthy female sexuality.
An overworked student is entangled in a wicked problem while trying to nurse a fledgling friendship with a troubled young drug addict.
Alexander Carson’s first feature is part coming-of-age story, part art-cinema meditation on photography, souvenirs and collections. The newest offering from North Country Cinema (The Valley Below) conjures a tender and haunting portrait of friendship and faith in the 21st century, following a group of young artists on a search for new mythologies and invoking a cinematic landscape where classical literature collides with new wave aesthetics and 90s pastiche.
A missing cat observes fleeting moments of human life in a suburban neighbourhood before taking up with a woman nearing her end.
An ex-cop finds himself in a life-altering dilemma when his old partner rounds him up to take care of some unfinished business.
Think Pan’s Labyrinth meets Carnivale and you’ll still be unprepared for this astonishing debut from Done Four Productions and director Nicholas Humphries. In this Dust Bowl-era reimagining of The Little Mermaid, an amphibious siren (Katelyn Mager) falls prey to a nefarious benefactor (Game of Thrones’ Iwan Rheon) and ends up in a magical turf war. Sumptuous production design and sinister storytelling conjure a seductive fantasy world.
François Péloquin’s debut is a subtle and charming coming-of-age story. Jérémie (It’s Not Me, I Swear!’s Antoine L’Écuyer) dreams of a very different life from the one awaiting him at the family sawmill (presided over by Roy Dupuis). However, his crazy joyride comes to an end when a fateful mistake shatters his fragile world. Péloquin drafts an impressive chronicle of one teenager’s summertime crucible. “Affecting and beautifully shot.”—Hollywood Reporter
Two siblings endure the impact a residential school has on their relationship with themselves, one another and nature itself.
When her boyfriend stops making love with her, Jeannette (Marie Brassard) begins an affair with a young co-worker (Francis La Haye). Alas, it turns out that her heart problems are physical as well as metaphorical. When Jeannette inherits the heart of a deceased Malian woman, she’s stalked by the donor’s son (Youssef Camara) who’s convinced that she’s the reincarnation of his late mother… Ryan McKenna’s stylized and nuanced film is sure to delight.
In Adam Garnet Jones’ first feature, a teenage girl commits suicide in a remote Anishinaabe community and it’s up to her brother Shane (Andrew Martin) to take care of their family. Shane was supposed to move to the city for university in the fall and was desperately trying to convince his secret boyfriend (Harley Legarde-Beacham) to come with him. When forced to choose between devotion to his family or his desire to dictate his own future, what will he do?